print logo

‘The most telling pictures are in the least likely places’

 The Big Issue in Scotland 18 July 2019

Last week the legendary photographer David Burnett and his team worked with homeless vendors from The Big Issue in Scotland to help them capture their daily lives in photographs and film. This unique workshop will result in a photo exhibition to be launched on Thursday at the BBC Scotland headquarters in Glasgow. (952 Words) - By Adam Forrest


BI scotland_The most telling pictures are in the least likely places

David Burnett talks to the street paper vendors.Photo: Sebastian Stange/ Photographers For Hope

BI scotland_The most telling pictures are in the least likely places 2

Street paper vendor Malky Dunn shooting pictures off Buchanan street, in Glasgow.Photo: David Burnett / Photographers For Hope

BI scotland_The most telling pictures are in the least likely places 3

Big Issue Vendor Joan taking pictures during the workshop.Photo: Matteo Cardin / Photographers for Hope

BI scotland_The most telling pictures are in the least likely places 4

Big Issue vendor Daniel shooting under the bridge over the River Clyde.Photo: Fariha Karim

"I was just a kid, wandering my way through, figuring things out," remembers David Burnett of his first job: an internship at Time magazine. "It was a hell of a lot of fun. I was not a great photographer, but I got a little better while I was there. You don't have to be the star the first week you're taking pictures. You just have to work hard and get to the point you're putting everything you've got into your pictures. It's not like a chemistry class where you can learn it; you just have to feel it. That takes a little while to get in touch with."

Burnett has been putting everything to his pictures for more than forty years. The world-renowned snapper has worked in more than 80 countries; captured revolutions in Iran and Chile; borne witness to famine in Ethiopia; covered every US presidential election since 1976 and every Olympic Games since 1984. Starting his own New York agency in the mid-seventies, Burnett has forged his own way of working on magazine assignments, keen to experiment wherever possible and unhampered by the demands of working for a wire service or daily newspapers.

The American photographer's latest project sees him in Glasgow, working with Big Issue vendors to help them capture their daily experiences in photos and film. At workshop sessions in the city, Burnett and his team from the charity collective Photographers for Hope have been guiding six novices through the medium. Organised by Glasgow-based charity the International Network of Street Papers (INSP), an exhibition of the photographs by both street paper vendors and professional photographers will be launched at BBC Scotland's HQ this Thursday.

"We're working with the vendors so they can show what their lives are like, using photography as a tool to do that," explains Burnett. "It's exciting. It's about giving people who haven't had much experience of photography the chance to see if it's something that clicks a button for them. We're trying to open people up to photography. Some folks get it quickly; some can spend days and days and they don't. Some people are just born with a bit of an artistic sensibility. But even if you're not, that's OK. The great thing about photography is you don't need to be licensed to do it; you can just pick up the camera and go."

Glasgow vendor Malcolm said working with Burnett had "put a spring in his step", taking more than 100 pictures in his first day with one of the project's cameras. "David's a very nice guy - a real diamond. It was inspired to see some of his pictures. I've taken pictures of the sky and the moon, of the greenery at the park near where I live now. I'd like to take some of all the places I've slept rough many moons ago. It'd be nice to look at how far I've come getting myself together."

"You just have to work hard and get to the point you're putting everything you've got into your pictures."

Burnett can remember his own first "colour assignment" - shooting the history-making launch of Apollo XI in Florida for Time. His images of expected, hopeful crowds gazing skyward have become an indelible part of how America remembers its first moon shot. "I wouldn't say I was a great photographer then," he says modestly. "There were just cool things going on to capture. The Apollo launch was one of those things you look back and you think that's something I'm glad I was able to do. Every place I went to I learned something, whether it was photographic, or cultural. One of the great joys of being a photographer this long is having had so many adventures."

In 1971, aged just 24, Burnett was sent by the weekly news magazine to cover America's gruesome adventures in Vietnam. He returned with remarkable pictures. The photo of an exhausted young soldier reading a letter near the Laos border remains one of the war's most haunting images. "I learned quite a bit from Vietnam," he says. "There were a lot of people I learned from when I was there, including a Welsh photographer, Philip Jones Griffiths, and some of the most interesting reporters were from the UK. You watch others and you think, 'Well that's a little more interesting that what I'm doing'. There's something to be said for paying attention to your elders.

"But actually, I also love watching and learning from what the kids do these days, because they are not encumbered by the same obstacles. Someone of my generation might think 'you can't do this' or 'you can't do that'. I still want to figure out what these kids are doing, and put my own little twist on it. You can't ever stop learning. You have to keep your eyes open all the time."

If Burnett seems a little too independent-minded for the rigid constraints of party politics, the frustration of covering US election campaigns have motivated some of his most interesting work. "Yeh, that stuff is getting a little old," he chuckles in concession. "I've been in hotel rooms during campaigns where I've thought, 'Honest to God, I wish I'd found a way of not doing this'. But every campaign, no matter how predicable it seems when you start out, has a way of surprising you. And sometimes it can make you reach down and find something special, something beyond the obvious.

"Sometimes the most telling pictures are in the least likely places. Maybe you find a guy in the street holding a sign rather than the politician. The guy in the street might tell you more of what's going on than the guy making the speeches and running for office."

SNS logo
  • Website Design